2017 was the year of very few, very time-consuming projects:
A new Francaise after one of Boucher’s portraits of Madame de Pompadour
An embroidered waistcoat
Also I made a few pieces that didn’t take that much time:
I started looking at a lot of caps and my favorite was the combination of silk lampas and gold lace. I have found none of these in aristocratic portraits of adult women, so this cap is fabulously unsuited to go with, like, 95 percent of my 18th century wardrobe. But the heart wants what it wants, right?
The pattern was an alteration of a Duran Textiles cap pattern that I further altered on the cap itself after the one corner looked way too harsh.
I flatlined the three pieces individually with a firm cotton (I had ran out of linen):
And then I sewed everything together with small backstitches. For some reason this took me 3 hours. (Addmittedly, I watched tv while doing this which never helps.)
Then I applied the vintage gold lace by sewing both the inner and outer edge of the lace to the cap.
And that was it:
And to give you an idea of its dimensions; that’s what it looks like when it’s worn:
For some reason I really love 18th century regional caps. More than I actually love the white linen/cotton/silk caps. I blame childhood trauma caused by a truly ugly costume cap my sister owned but that’s a different story.
Those 18th regional caps are usually made of very nice material: silk lampas, silk damask, silk velvet, embroidered silk, silk with lace… you see where this goes. Apparently the laws on who was allowed to wear what material was really lax when it came to head coverings. And those caps didn’t really need a lot of fabric.
Since I have never done one of these, I didn’t wanted to start making one out of silk lampas, so I made one out of plain silk. This was obviously inspired by this particular painting:
My interpretation of that painting is that she is wearing a white cap under her silk cap instead of merely attaching the lace to silk cap. This would allow her to clean one and not the other.
I used the pattern from Duran Textiles. I lined the back of cap with heavy cotton. I interlined the cap brim with a heavy cotton and then lined it in linen. Then I attached the brim to the back:
I decided to distribute the pleats more even around the brim instead of pleating it solely at the back.
Then I carefully attached a piece of antique Valenciennes lace I had in my stash over the brim. The piece had exactly the length that was needed. I didn’t have to hide or stretch or cut anything. The thing about Valenciennes lace is that it’s only type of lace where 19th and 18th century styles are pretty hard to distinguish so it looks pretty accurate although my guess is that’s late 19th century Valenciennes.
Under that cap I put a white cotton/linen cap.
It was a fun project, so I already gathered the materials for my next cap project:
Stays, corsets and foundation garments: A historical study
One Person, Two Sewing Personalities
Pour les passionnés de costumes
musings on the wonders and marvels of the long 18th century and beyond
Création Originale et Reproduction Historique
A costume collection explored....